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Provocative and enlightening, Richard Sennett's The Craftsman is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce good work. Instead, the values of the craftsman, whether in a Stradivari violin workshop or a modern laboratory, can enrich our lives and change the way we anchor ourselves in the world around us. The past lives of crafts and craftsmen show us ways of working - using tools, acquiring skills, thinking about materials - which provide rewarding alternative ways for people to utilise their talents. We need to recognize this if motivations are to be understood and lives made as fulfilling as possible. 'Lively, engaging and pertinent ...a lifetime's learning has gone into the writing of this book' Roger Scruton, Sunday Times 'An enchanting writer with important things to say' Fiona MacCarthy, Guardian 'Enthralling ...Sennett is keen to reconnect thinking with making, to revive the simple pleasure in the everyday object and the useful task. There is something here for all of us' Edwin Heathcote, Financial Times 'A masterpiece' Boyd Tonkin, Independent Richard Sennett's previous books include The Fall of Public Man, The Corrosion of Character, Flesh and Stone and Respect. He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.
- Sales Rank: #7064873 in Books
- Brand: imusti
- Published on: 2009-02-01
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .75" w x 5.08" l, .53 pounds
- Binding: Paperback
- 336 pages
- PENGUIN GROUP
From Publishers Weekly
With this volume, author and sociologist Sennett (The Culture of the New Capitalism) launches a three-book examination of "material culture," asking "what the process of making concrete things reveals to us about ourselves." Taking in everything from Pandora and Hephaestus to Linux programmers, Sennett posits that the spirit of craftsmanship-an "enduring, basic human impulse, the desire to do a job well for its own sake"-is tragically lacking in many areas of the industrialized world. Craftsmanship, by combining skill, commitment and judgment, establishes a close relationship between head and hand, man and machine, that Sennett asserts is vital to physical, mental and societal well-being; the symptoms of craftsmanship-deficiency can be found in worker demoralization, inefficiency and waning loyalty from both employees and employers, as well as other (largely institutional) effects. Sennett looks at the evolution of craftsmanship and the historical forces which have stultified it, how it's learned in the areas it still thrives (among scientists, artists, cooks, computer programmers and others), and issues of quality and ability (skill, not talent, makes a craftsman). Sennett's learned but inclusive prose proves entirely readable, and the breadth of his curiosity-delving into the minds behind the Manhattan project, touring Soviet suburbs, examining the methods of Julia Childs-take him in a number of fascinating directions.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Sennett considers an array of artisans across different periods, from ancient Chinese chefs to contemporary mobile-phone designers, in this powerful meditation on the "skill of making things well." The template of craftsmanship, he finds, combines a "material consciousness" with a willingness to put in years of practice (a common estimate of the time required to master a craft is ten thousand hours) and a strategic acceptance of ambiguity, rather than an obsessive perfectionism. Sennett’s aim is to make us rethink the notion that society benefits most from a workforce trained to respond to the metamorphoses of a global economy. Ultimately, he writes, the difficulties and possibilities of craft can teach "techniques of experience" that help us relate to others, and lead to an "ethically satisfying" pride in one’s work.
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Review
'Richard Sennett is a prime observer of society ... one of his great strengths, the thing that makes his narrative so gripping, is the sheer range of his thinking and his brilliance in relating the past to the present' - Fiona MacCarthy, The Guardian 'A lifetime's learning has gone into this book ... Sennett writes beautifully' - Roger Scruton, Sunday Times
Most helpful customer reviews
4 of 4 people found the following review helpful.
A complex but very rewarding read about craftsmanship, pride ...
By Marc Samida
A complex but very rewarding read about craftsmanship, pride in one's work and the differences between individual work and mechanical production, and the intellectual investment in the former versus the more mechanistic approach in the latter.
Sennet uses many examples from the world of music to illustrate his thesis and he finishes with an explanation of the philosophical underpinnings of his ideas, pragmatism in this case.
This book has an extensive index and bibliography and his examples are well-chosen and illustrative and evidence of his wide understanding of the matter. Not a book to read on the beach or a plane or even at home in a week or so. It requires time and patience and is rewarding even when dipping into individual sections but the real benefit comes with the final section brings together the threads and leaves the (this) reader with much more understanding of this field of human endeavour than one had before.
8 of 8 people found the following review helpful.
An Important Re-framing of an Old Idea
By J. V. Lewis
Richard Sennett has been one of my most-preferred interpreters of physical and social culture since Flesh and Stone. He tackles issues that got trampled by misapplications of lit-crit and semiotic theory over the last few decades, and manages to get them back into the discussion. He has a rather dogged style: history, explication, and journalistic fairness are treated like responsibilities in language that is mostly quite dry, even bland. But what he lacks in vivacity, he more than covers with solid, methodical argumentation and a heartening tendency to broaden concepts and include the truly modern. In this volume, for example, Sennett adds Linux programming to the list of what we normally think of as craft, and I think he makes his case. Craft is a wicked thicket for us Moderns: we have not kept pace with its devaluation in an age of competitive production and disposable workers, and the quality of our handwork has suffered, but Sennett also convinces me that our comprehension of the world and the place of humans in it has suffered, because good craft is the meeting of mind and hand. What devalues handwork impoverishes the human mind. We lose our capacity for imagination.
I read this book very closely, pencil in hand, convinced that Sennett has contributed greatly to our understanding of what it means to be human in a machine age. I believe that his work has eclipsed Hannah Arendt's by now. Excellent.
0 of 0 people found the following review helpful.
In a moment when we talk about " data scientists " is worth reading this book that shows the hands and brain working together
By Claudia Mendes Nogu
This book is very beautiful and encourages the thinking about the work in now a days. In a moment when we talk about " data scientists " is worth reading this book that shows the hands and brain working together . This book should be read for anyone thinking about man and machine interaction in the work. It shows what is behind the spectacular results : a craftsman .
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