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Shortlisted for the Apollo Magazine "Book of the Year" award.
A landmark publication—beautifully illustrated with over 300 prints from the British Museum’s renowned collection—which traces the history of printmaking from its earliest days until the arrival of photography.
Copperplate printmaking, developed alongside Gutenberg’s invention of moveable type, was a huge business employing thousands of people, and dominating image production for nearly four centuries across the whole of Europe. Its techniques and influence remained very stable until the nineteenth century, when this world was displaced by new technologies, of which photography was by far the most important.
Print Before Photography examines the unrivaled importance of printmaking in its golden age, illustrated through the British Museum’s outstanding collection of prints. This unique and significant book is destined to be a leading reference in print scholarship, and will be of interest to anyone with an interest in this era of art history.
- Sales Rank: #867082 in Books
- Published on: 2016-09-01
- Released on: 2016-09-15
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 1.70" w x 9.80" l, .0 pounds
- Binding: Hardcover
- 560 pages
Review
“The sheer amount of information on offer here, conveyed in such a lucidly written and lavishly illustrated book, marks this as a pinnacle of print studies.” (Sheila McTighe Apollo Magazine)
“While dealing in appropriately dry fashion with all the intricacies of production, trade and patronage, Griffiths manages to make the reader look harder at the materiality of the fine art engraving, its strange otherness as if it were a branch of sculpture rather than drawing. His magnificent book brings to an end the output of the British Museum Press, here concluding, like many a fine symphony, with a triumphant flourish.” (Tom Phillips The Telegraph)
About the Author
Between 1991 and 2010, Antony Griffiths was deputy keeper, then keeper, of Prints and Drawings at the British Museum. In 1984 he co-founded Print Quarterly, a journal dedicated to the art of the print. He was appointed a fellow of the British Academy in 2000. He has published widely on the subject.
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