Friday, April 27, 2012

[N322.Ebook] Fee Download Anticipations, by H. G. Wells

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Anticipations, by H. G. Wells

Anticipations is a no holds barred explanation of Wells' vision of the New Republic. It contains themes of the "New Republic", a system of world governance and scientific control. He attempts to predict the future, a fascinating mix of accurate forecasts - development of cars, buses and trucks, use of flying machines in combat, decline of permanent marriage - and wild misses and more. Herbert George "H. G." Wells was an English writer best known for his work in science fiction. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing textbooks and rules for war games. His most notable science fiction works include The War of the Worlds, The Time Machine, The Invisible Man and The Island of Doctor Moreau.

  • Published on: 2013-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .31" w x 7.52" l, .57 pounds
  • Binding: Paperback
  • 144 pages

About the Author
Often called the father of science fiction, British author Herbert George (H. G.) Wells literary works are notable for being some of the first titles of the science fiction genre, and include such famed titles as The Time Machine, The War of the Worlds, The Island of Doctor Moreau, and The Invisible Man. Despite being fixedly associated with science fiction, Wells wrote extensively in other genres and on many subjects, including history, society and politics, and was heavily influenced by Darwinism. His first book, Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought, offered predictions about what technology and society would look like in the year 2000, many of which have proven accurate. Wells went on to pen over fifty novels, numerous non-fiction books, and dozens of short stories. His legacy has had an overwhelming influence on science fiction, popular culture, and even on technological and scientific innovation. Wells died in 1946 at the age of 79.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Quaint, insightful, and disturbing
By James A. Vedda
I found this interesting because I've read Wells' most popular fiction novels and wanted to sample some of his social commentary, and because I've been collecting writings by famous futurists of the last century. Readers who are not similarly motivated may rate this book lower than I did. It's very different from his fiction, so if you liked "War of the Worlds" or "The Time Machine" or "The Shape of Things to Come" it doesn't necessarily follow that you will like this.
The author's attempt to predict the social and technological developments of the 20th century from the vantage point of 1901 can be entertaining for both its hits and misses. For example, in his chapter on armed conflict, he correctly envisions long-range, highly accurate sniper rifles wielded by expert marksmen, but incorrectly guesses that these marksmen will maneuver through battlefields on bicycles. Also, writing two years before the first Wright brothers flight, he estimates that the first practical airplane will be demonstrated around 1950. His description of an aerial dogfight between dirigibles and his disbelief in the viability of submarines seem quaint.
Wells was a product of 19th century England, so sometimes quaintness gives way to offensiveness from the perspective of the modern reader. Today, Wells would be considered racist and sexist. He also supported eugenics and euthanasia, including practices that have been widely discredited since the horrors of Nazism.
Wells was also a socialist who distrusted both monarchies and democracies, believing that the global society of 2000 should be a New Republic that constituted a world state (or close to it) dominated by three or four languages. It would be led by an elite cadre of scientists, engineers, and medical doctors - a technocracy, as we'd call it today.
Despite many inaccurate predictions, Wells did have some interesting insights on things like the growth of cities, the proliferation of labor-saving devices, the problems of the education system, and the evolution of journalism. For those who are comfortable with the writing style of the time (very long sentences and paragraphs; protracted sidebar discussions in lengthy footnotes), this is an intriguing historical sample of both social commentary and futurism.

2 of 2 people found the following review helpful.
Nostradamus ain't got nothing on HG
By Bernie
Around the turn of the century, 1901 a famous Sci-fi writer that is well known for predicting the future applies his trade. Instead of taking the word of experts on HG, we get his speculations first hand.

The book starts out innocuously describing how turning a "steam pump" on its side we now have a steam engine. He makes some good points against the wisdom of the time that ideas come together at just the right time to create just the right answer to a problem. From her he speculates on how mechanized transportation will change society. HG is just warming up as he now speculates on government, military and social conscience. He used a term "the new republic to describe his future world.

I may have to take his work on many of the subject but I can relate to his military references. It took the Vietnam War to shake the military up enough to make HG's speculation on an educated well-oiled military that we have today. It was the generals of the time the generals of the Vietnam era that realize that we needed just about everything HG predicted from technical advances to intelligent soldiers to the concept of "Land, Sea, Air" warfare.

Some of his speculations are a met strange or maybe just a tad different. It looks like he thinks that democracy will be exchange for the rule of technocrats. Moreover, he is not too sure of the future domination of the English language.

In any event, this book is well worth reading as it is the core of HG's views of humankind.

The Time Machine, Literary Touchstone Edition

2 of 2 people found the following review helpful.
Nostradamus ain't got nothing on HG
By Bernie
Around the turn of the century, 1901 a famous Sci-fi writer that is well known for predicting the future applies his trade. Instead of taking the word of experts on HG, we get his speculations first hand.

The book starts out innocuously describing how turning a "steam pump" on its side we now have a steam engine. He makes some good points against the wisdom of the time that ideas come together at just the right time to create just the right answer to a problem. From her he speculates on how mechanized transportation will change society. HG is just warming up as he now speculates on government, military and social conscience. He used a term "the new republic to describe his future world.

I may have to take his work on many of the subject but I can relate to his military references. It took the Vietnam War to shake the military up enough to make HG's speculation on an educated well-oiled military that we have today. It was the generals of the time the generals of the Vietnam era that realize that we needed just about everything HG predicted from technical advances to intelligent soldiers to the concept of "Land, Sea, Air" warfare.

Some of his speculations are a met strange or maybe just a tad different. It looks like he thinks that democracy will be exchange for the rule of technocrats. Moreover, he is not too sure of the future domination of the English language.

In any event, this book is well worth reading as it is the core of HG's views of humankind.

The Time Machine, Literary Touchstone Edition

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Tuesday, April 24, 2012

[I696.Ebook] Download Patient Assessment In Pharmacy: A Culturally Competent Approach, by Yolanda M. Hardy

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Patient Assessment In Pharmacy: A Culturally Competent Approach, by Yolanda M. Hardy

Patient Assessment in Pharmacy: A Culturally Competent Approach thoroughly prepares pharmacy students to assess patients from a variety of cultural and ethnic groups in a culturally appropriate manner. Featuring a practical approach, this essential resource begins by establishing the importance of culturally competent care as well as the process for conducting a patient history and interview. Later chapters focus on specific organ systems and discuss common medical conditions that a pharmacist may encounter, with an emphasis on medical conditions that may have a higher incidence in certain cultural groups. Each chapter includes a review of the clinical presentation of disease, questions to ask during the patient interview, and physical assessment techniques used to further assess the disease state. FEATURES • Focuses on assessment skills relevant to the practice of pharmacy • Addresses key issues such as cultural health disparities and clinical presentation of conditions in various cultural and ethnic groups. • Includes full-color photos depicting how conditions present for different groups • Features chapters organized by body systems • Includes culturally competent interview and physical examination techniques that can be used with any patient, regardless of background • Provides a handy guide for student education and an excellent resource for rotation sites Each new print copy includes Navigate 2 Advantage Access that unlocks a complete eBook, Study Center, homework and Assessment Center, and a dashboard that reports actionable data.

  • Sales Rank: #1369186 in Books
  • Published on: 2014-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .40" w x 6.80" l, .0 pounds
  • Binding: Paperback
  • 236 pages

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Saturday, April 21, 2012

[M819.Ebook] PDF Ebook The Brilliant Service Professional: Building Trust, Creating Value, Having Fun, by James Alex Alexander

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The Brilliant Service Professional: Building Trust, Creating Value, Having Fun, by James Alex Alexander

Senior managers from all types of businesses across all industries are discovering that one role takes the spotlight in deepening relationships with key customers. Whatever title individuals in that position are given--field service technician, support engineer, implementation consultant, services account manager, resident engineer, technical account manager--no one has more potential impact on the success of the company and its customers than the service professional...no one. High-performing service pros are where the action is, orchestrating superb customer experiences, proactively preventing problems before they occur, and leveraging their relationships to rock out customers and lock out the competition. They deliver the results customers crave and executives yearn for, while building brand and having fun. Designed for anyone in service who touches the customer, The Brilliant Service Professional uncovers the competencies, tools, and behaviors that enable service pros in any industry to shine as the new corporate rock star.

  • Sales Rank: #1226056 in Books
  • Published on: 2013-12-30
  • Binding: Paperback
  • 208 pages

About the Author
James Alex Alexander, Ed.D, helps product companies build brilliant services businesses. He researches, publishes, advises, trains, and speaks on transforming good services organizations into high-performance services machines that create loyal customers, drive sales of services and products, and dominate the competition. Contact Alex at alex@alexanderstrategists.com.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Short, breezy read with tools and actionable advice
By Meryl K. Evans
Not everyone desires to keep climbing the ladder. Some prefer to be individual contributors with deep expertise. After awhile, they can hit a rut especially those working in professional services. I've been a fan of Alexander's work since discovering several of his professional services series. His writing style is conversational with a scoop of humor added. And that style carries over in this book. Often, I find advice related to professional services to be stiff, boring and difficult to follow and implement. Alexander breaks it down into actionable steps so you can put it to work and grow as a services professional.

I hope you find this review helpful and will show it with a quick click of yes. If you have unanswered questions, please comment so I can address them.

1 of 1 people found the following review helpful.
Compulsary reading for any service business executive and front-liner wishing to excel
By Kevin Wheatland
Once again, Dr Alexander provides the pragmatic key to service business success. In a world where products and increasingly services are commodities, your people remain the only viable resource for long term differentiation - if you recruit, train, support and reward them for their excellence. Alexander, in his usual manner, tackles the subject with a highly structured approach that is an easy read and more importantly is easy to assimilate into any business. With his trademark insightfulness, logic and superb pedagogics, Alexander takes service excellence journey to the next level. Ignore at your peril.

1 of 1 people found the following review helpful.
This Book IS Brilliant
By McJic
If you are in the services business, or have a services group within your company, then "The Brilliant Service Professional" should be mandatory reading for all employees. It is the definitive "how-to" guide for ensuring their efforts are optimized for success. Alex Alexander writes with a clear, insightful style that makes this book a great informative read. There is no better way to build trust, create value and increase customer satisfaction than reading — and implementing — the tools and techniques in this book.

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Friday, April 13, 2012

[W940.Ebook] Free Ebook Gray Mountain: A Novel, by John Grisham

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Gray Mountain: A Novel, by John Grisham

John Grisham has a new hero . . . and she’s full of surprises

The year is 2008 and Samantha Kofer’s career at a huge Wall Street law firm is on the fast track—until the recession hits and she gets downsized, furloughed, escorted out of the building. Samantha, though, is one of the “lucky” associates. She’s offered an opportunity to work at a legal aid clinic for one year without pay, after which there would be a slim chance that she’d get her old job back.

In a matter of days Samantha moves from Manhattan to Brady, Virginia, population 2,200, in the heart of Appalachia, a part of the world she has only read about. Mattie Wyatt, lifelong Brady resident and head of the town’s legal aid clinic, is there to teach her how to “help real people with real problems.” For the first time in her career, Samantha prepares a lawsuit, sees the inside of an actual courtroom, gets scolded by a judge, and receives threats from locals who aren’t so thrilled to have a big-city lawyer in town. And she learns that Brady, like most small towns, harbors some big secrets.

Her new job takes Samantha into the murky and dangerous world of coal mining, where laws are often broken, rules are ignored, regulations are flouted, communities are divided, and the land itself is under attack from Big Coal. Violence is always just around the corner, and within weeks Samantha finds herself engulfed in litigation that turns deadly.

  • Sales Rank: #28688 in Books
  • Brand: Grisham, John
  • Published on: 2014-10-21
  • Released on: 2014-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.30" w x 6.40" l, .0 pounds
  • Binding: Hardcover
  • 384 pages
Features
  • skulduggery in coal appalachian coal country
  • femaile sleuth caught in a labyrinth
  • mountain top coal mining gone berserk without limits

Review
“An important new novel . . . Grisham’s work—always superior entertainment—is evolving into something more serious, more powerful, more worthy of his exceptional talent.” —Patrick Anderson, The Washington Post
 
“John Grisham makes a powerful closing argument against Big Coal, but the message never obscures a satisfying, old fashioned, good guy-bad guy legal thriller.” —Christian Science Monitor
 
“Grisham has written one of his best legal dramas in quite some time with this dive into small-town politics. There's a mystery, but that's a minor portion of the story. The main thrust that will engage readers is Samantha Kofer and the cast of characters that help her discover her passion.” —Associated Press

About the Author
JOHN GRISHAM is the author of twenty-seven novels, one work of nonfiction, a collection of stories, and four novels for young readers. 

www.doubleday.com

www.jgrisham.com

www.facebook.com/JohnGrisham

Excerpt. © Reprinted by permission. All rights reserved.
1

The horror was in the waiting--the unknown, the insomnia, the ulcers. Co-workers ignored each other and hid behind locked doors. Secretaries and paralegals passed along the rumors and refused eye contact. Everyone was on edge, wondering, "Who might be next?" The partners, the big boys, appeared shell-shocked and wanted no contact with their underlings. They might soon be ordered to slaughter them.

The gossip was brutal. Ten associates in Litigation terminated; partially true--only seven. The entire Estate division closed, partners and all; true. Eight partners in Antitrust jumping to another firm; false, for now.

The atmosphere was so toxic that Samantha left the building whenever possible and worked with her laptop in coffee shops around lower Manhattan. She sat on a park bench one pleasant day--day ten after the fall of Lehman Brothers--and gazed at the tall building down the street. It was called 110 Broad, and the top half was leased by Scully & Pershing, the biggest law firm the world had ever seen. Her firm, for now, though the future was anything but certain. Two thousand lawyers in twenty countries, half of them in New York City alone, a thousand right up there packed together on floors 30 through 65. How many wanted to jump? She couldn't guess, but she wasn't the only one. The world's largest firm was shrinking in chaos, as were its competitors. Big Law, as it was known, was just as panicked as the hedge funds, investment banks, real banks, insurance conglomerates, Washington, and on down the food chain to the merchants on Main Street.

Day ten passed without bloodshed, as did the next. On day twelve there was a flash of optimism as Ben, one of Samantha's colleagues, shared a rumor that credit markets in London were loosening a bit. Borrowers might find some cash after all. But late that afternoon the rumor had run out of gas; nothing to it. And so they waited.

Two partners ran Commercial Real Estate at Scully & Pershing. One was nearing retirement age and had already been shoved out. The other was Andy Grubman, a forty-year-old pencil pusher who'd never seen a courtroom. As a partner, he had a nice office with a distant view of the Hudson, water he hadn't noticed in years. On a shelf behind his desk, and squarely in the center of his Ego Wall, there was a collection of miniature skyscrapers. "My buildings" he liked to call them. Upon completion of one of his buildings, he commissioned a sculptor to replicate it on a smaller scale, and he generously gave an even smaller trophy to each member of "my team." In her three years at S&P, Samantha's collection had six buildings, and that was as large as it would get.

"Have a seat," he ordered as he closed the door. Samantha sat in a chair next to Ben, who was next to Izabelle. The three associates studied their feet, waiting. Samantha felt the urge to grab Ben's hand, like a terrified prisoner facing a firing squad. Andy fell into his chair, and, avoiding eye contact but desperate to get things over with, he recapped the mess they were in.

"As you know, Lehman Brothers folded fourteen days ago."

No kidding, Andy! The financial crisis and credit meltdown had the world on the brink of a catastrophe and everyone knew it. But then, Andy rarely had an original thought.

"We have five projects in the works, all funded by Lehman. I've talked at length with the owners, and all five are pulling the plug. We had three more in the distance, two with Lehman, one with Lloyd's, and, well, all credit is frozen. The bankers are in their bunkers, afraid to loan a dime."

Yes, Andy, we know this too. It's front-page. Just get it over with before we jump.

"The exec committee met yesterday and made some cuts. Thirty first-year associates are being let go; some terminated outright, others laid off. All new hires are deferred indefinitely. Probate is gone. And, well, there is no easy way to say this, but our entire division is on the block. Cut. Eliminated. Who knows when owners will start building again, if ever. The firm is unwilling to keep you on the payroll while the world waits for loose credit. Hell, we could be headed for a major depression. This is probably just the first round of cuts. Sorry, guys. I'm really sorry."

Ben spoke first. "So we're being terminated outright?"

"No. I fought for you guys, okay? At first they planned to do the pink slip thing. I don't have to remind you that CRE is the smallest division in the firm and probably the hardest hit right now. I talked them into something we're calling a furlough. You'll leave now, come back later, maybe."

"Maybe?" Samantha asked. Izabelle wiped a tear but kept her composure.

"Yes, a big fat maybe. Nothing is definite right now, Samantha, okay? We're all chasing our tails. In six months we could all be at the soup kitchen. You've seen the old photos from 1929."

Come on, Andy, a soup kitchen? As a partner, your take-home last year was $2.8 million, average at S&P, which, by the way, came in fourth in net-per-partner. And fourth was not good enough, at least it wasn't until Lehman croaked and Bear Stearns imploded and the sub-prime mortgage bubble burst. Suddenly, fourth place was looking pretty good, for some anyway.

"What's a furlough?" Ben asked.

"Here's the deal. The firm keeps you under contract for the next twelve months, but you don't get a paycheck."

"Sweet," Izabelle mumbled.

Ignoring her, Andy plowed ahead: "You keep your health benefits, but only if you intern with a qualified nonprofit. HR is putting together a list of suitable outfits. You go away, do your little do-gooder bit, save the world, hope like hell the economy bounces back, then in a year or so you're back with the firm and you don't lose any seniority. You won't be in CRE but the firm will find a place for you."

"Are our jobs guaranteed when the furlough is over?" Samantha asked.

"No, nothing is guaranteed. Frankly, no one is smart enough to predict where we'll be next year. We're in the middle of an election, Europe is going to hell, the Chinese are freaking out, banks are folding, markets are crashing, nobody's building or buying. The world's coming to an end."

They sat for a moment in the gloomy silence of Andy's office, all four crushed with the reality of the end of the world. Finally, Ben asked, "You, too, Andy?"

"No, they're transferring me to Tax. Can you believe it? I hate Tax, but it was either Tax or driving a cab. I got a master's in taxation, though, so they figured they could spare me."

"Congratulations," Ben said.

"I'm sorry, guys."

"No, I mean it. I'm happy for you."

"I could be gone in a month. Who knows?"

"When do we leave?" Izabelle asked.

"Right now. The procedure is to sign a furlough agreement, pack up your stuff, clean off your desk, and hit the street. HR will e-mail you a list of nonprofits and all the paperwork. Sorry, guys."

"Please stop saying that," Samantha said. "There's nothing you can say that helps matters here."

"True, but it could be worse. The majority of those in your boat are not being offered a furlough. They're being fired on the spot."

"I'm sorry, Andy," Samantha said. "There are a lot of emotions right now."

"It's okay. I understand. You have the right to be angry and upset. Look at you--all three have Ivy League law degrees and you're being escorted out of the building like thieves. Laid off like factory workers. It's awful, just awful. Some of the partners offered to cut their salaries in half to prevent this."

"I'll bet that was a small group," Ben said.

"It was, yes. Very small, I'm afraid. But the decision has been made."



A woman in a black suit and a black necktie stood at the quad where Samantha shared a "space" with three others, including Izabelle. Ben was just down the hall. The woman tried to smile as she said, "I'm Carmen. Can I help you?" She was holding an empty cardboard box, blank on all sides so no one would know it was the official Scully & Pershing repository for the office junk of those furloughed or fired or whatever.

"No, thanks," Samantha said, and she managed to do so politely. She could have snapped and been rude, but Carmen was only doing her job. Samantha began opening drawers and removing all things personal. In one drawer she had some S&P files and asked, "What about these?"

"They stay here," Carmen said, watching every move, as if Samantha might attempt to pilfer some valuable asset. The truth was that everything of value was stored in the computers--a desktop she used in her space and a laptop she took almost everywhere. A Scully & Pershing laptop. It, too, would remain behind. She could access everything from her personal laptop, but she knew the codes had already been changed.

As if sleepwalking, she cleaned out the drawers and gently tucked away the six miniature skyscrapers from her collection, though she thought about tossing them into the trash can. Izabelle arrived and was given her own personal cardboard box. All others--associates, secretaries, paralegals--had suddenly found business elsewhere. Protocol had been quickly adopted--when someone cleans out a desk, let them do it in peace. No witnesses, no gawking, no hollow farewells.

Izabelle's eyes were puffy and red; she had obviously been in the restroom crying. She whispered, "Call me. Let's have a drink tonight."

"Sure," Samantha said. She finished stuffing it all into the box, her briefcase, and her bulky designer bag, and without looking over her shoulder she marched behind Carmen down the hallway and to the elevators on the forty-eighth floor. As they waited, she refused to look around and absorb it one last time. The door opened and thankfully the elevator was empty. "I'll carry that," Carmen said, pointing to the box, which was already increasing in bulk and weight. "No," Samantha said as she stepped inside. Carmen pushed the button for the lobby. Why, exactly, was she being escorted out of the building? The longer she pondered the question the angrier she became. She wanted to cry and she wanted to lash out, but what she really wanted was to call her mother. The elevator stopped on the forty-third floor and a well-dressed young man stepped in. He was holding an identical cardboard box, with a large bag strapped over his shoulder and a leather briefcase under an arm. He had the same stunned look of fear and confusion. Samantha had seen him in the elevator but never met him. What a firm. So mammoth the associates wore name badges at the dreadful Christmas party. Another security guard in a black suit stepped in behind him, and when everyone was in place Carmen again pressed the button for the lobby. Samantha studied the floor, determined not to speak even if spoken to. On the thirty-ninth floor, the elevator stopped again, and Mr. Kirk Knight got on board while studying his cell phone. Once the door closed, he glanced around, saw the two cardboard boxes, and seemed to gasp as his spine stiffened. Knight was senior partner in Mergers & Acquisitions and a member of the executive committee. Suddenly face-to-face with two of his victims, he swallowed hard and stared at the door. Then he suddenly punched the button for floor number 28.

Samantha was too numb to insult him. The other associate had his eyes closed. When the elevator stopped, Knight hustled off. After the door closed, Samantha remembered the firm leased floors 30 through 65. Why would Knight make a sudden exit onto 28? Who cared?

Carmen walked her through the lobby and out the door onto Broad Street. She offered a meek "I'm sorry," but Samantha did not respond. Laden like a pack mule, she drifted with the foot traffic, going nowhere in particular. Then she remembered the newspaper photos of the Lehman and Bear Stearns employees leaving their office buildings with boxes filled with their stuff, as if the buildings were on fire and they were fleeing for their lives. In one photo, a large color one on the front of the Times's section B, a Lehman trader was caught with tears on her cheeks as she stood helplessly on the sidewalk.

But those photos were old news now and Samantha did not see any cameras. She set the box down at the corner of Broad and Wall and waited for a cab.



2

In a chic SoHo loft that cost her $2,000 a month, Samantha flung her office crap at the floor and fell onto the sofa. She clutched her cell phone, but waited. She breathed deeply, eyes closed, emotions somewhat in check. She needed her mother's voice and reassurance, but she did not want to sound weak, wounded, and vulnerable.

The relief came from the sudden realization that she had just been freed from a job she despised. Tonight at seven she might be watching a movie or having dinner with friends, not slaving away at the office with the meter running. This Sunday she could leave the city with no thoughts whatsoever about Andy Grubman and the pile of paperwork for his next crucial deal. The FirmFone, a monstrous little gadget that had been glued to her body for three years now, had been surrendered. She felt liberated and wonderfully unburdened.

The fear came from the loss of income and the sudden detour in her career. As a third-year associate, she was earning $180,000 a year in base salary, plus a nice bonus. A lot of money, but life in the city had a way of devouring it. Half evaporated in taxes. She had a savings account, one she halfheartedly acknowledged. When you're twenty-nine, single, and free in the city, in a profession where next year's package will exceed this year's salary plus bonus, why worry too much about saving money? She had a friend from Columbia Law who'd been at S&P for five years, had just made junior partner, and would earn about half a million this year. Samantha had been on that track.

She also had friends who jumped off the treadmill after twelve months and happily fled the awful world of Big Law. One was now a ski instructor in Vermont, a former editor of the Columbia Law Review, a refugee from the bowels of S&P who lived in a cabin by a stream and rarely answered his cell. In just thirteen months he had gone from an ambitious young associate to a mildly deranged idiot who slept at his desk. Just before HR intervened, he cracked up and left the city. Samantha thought of him often, usually with a twinge of jealousy.

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19 of 19 people found the following review helpful.
Not vintage Grishman
By Bookworm
Not a bad read even though the story is very thin and there is practically no suspense. There is a bunch of good - almost saintly people - some engaging rogues on the side of the angels, a new heroine, skulking villains and helpless people who find no redress in the law. However the reader has to wade through pages and pages on the evil of strip coal mining and of some heartless and ruthless bosses. Doubtless a worthy cause but the lengthy developments are tedious. Nothing is resolved at the end and a sequel seems likely.

17 of 17 people found the following review helpful.
These are only the notes, right?
By Moring Wilhelmus
While reading this book I couldn't help but wonder if it would have been published if the author hadn't been John Grisham. The answer is a definite "no". Even the most desperate publisher would not have accepted this book, simply because it just isn't good enough. The characters are left vague, the prose is poor (I'm being kind here), there is no real storyline, and the possibilities for a good plot - and there are several - are all left unused. That an editor would accept a book like this for publication is incredible. I kind of expected an email from amazon after a few days apologizing for the fact that they mistakenly put Mr. Grisham's notes in the Kindle version instead of the real manuscript. Alas, no mail, so I guess this is really "the book".
So why was it published like this? My guess is that with the name Grisham as a guaranteed sales point, the publisher knows that the dollars will come in anyway, so why worry? Well, maybe they will start to worry when Grisham's next book comes along, because I - and undoubtedly many other disappointed Grisham fans - will pass on the next one. If an author is not willing to put in a serious effort to write a book, he doesn't deserve readers that buy it.
BTW, the one star is only because there is no option to leave zero stars.

7 of 7 people found the following review helpful.
Hit Over the Head With Preaching and Cardboard
By Lisa Stowe
This is the first Grisham book I've read and I'm left wondering what the fuss is about. I tried a sample and was intrigued by the protagonist, Samantha. I balked at first at the cost (why are e-books, with no printing costs, so expensive?) but decided to chance it since this is a big name author. By the end of the book I still had no idea what Samantha looked like or if she wore clothes. Admittedly, there may have been descriptions buried in there because it didn't take too long before I started skimming in a desperate search for dialog. This novel read more like an informational dump on coal mining, with the author preaching his views. By the first third of the book, we all get the fact that coal companies are the villain. We as readers don't need to be reminded, in great narrative length, repeatedly. The protagonist seemed to exist simply to give a reason to call this fiction. She never, at any point in the story, was ever at risk. Each time tension started to build, where it seemed like, finally, she was going to play the part of a protagonist, the plot fizzled. There were moments that made no sense, as when on one page Samantha is thinking how much she's not going to get involved and can't stand the guy, and the next page they are in bed together and she's helping him. But the worst things an author can do that make me, as a reader, never return to one of their books, ever again, are these. The protagonist was not a likable character (by the end of the book I was very tired of her whining, then doing the opposite of what she whined about, with nothing to show the change of heart). The characters were cardboard, inconsistent, and simply vessels to deliver the author's preaching against coal mining. None of the questions posed in the plot were ever answered. None of the villains ever brought to justice. The people that Samantha agreed to help, whose stories took many, many confusing pages, never have resolution to their problems, and she simply walks away from them. And the book ended with no change from the beginning - meaning no character growth, no change in the plot premise, nothing. In other words, there was no reason to read the book. I could just have easily gone online, researched coal mining, and ended up with the same result. And without spending money.

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[H136.Ebook] Free Ebook Birds and Butterflies Stained Glass Pattern Book: 94 Designs for Workable Projects, by Ed Sibbett Jr.

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Birds and Butterflies Stained Glass Pattern Book: 94 Designs for Workable Projects, by Ed Sibbett Jr.

Well-known artist and craftsman Ed Sibbett, Jr., here offers stained glass workers a matchless array of 94 charming bird and butterfly patterns. Now you can brighten and animate your stained glass projects with imaginative kingfishers, eagles, jays, toucans, hummingbirds, cardinals, penguins, parrots, butterflies, and more.
The most experienced glass craftspeople will find designs here to challenge and hone their skills. And even the beginner, armed with readily available general instructions, will find numerous easy-to-use patterns in this book.
All patterns can be worked as is, reduced, or enlarged to suit your needs. Use them whole or in part to create a wide variety of attractive projects — butterfly lightcatchers, a window of swans, door panels of owls, mirrors, boxes, candle shelters, mobiles, and many more. A Publisher's Note offers many valuable ideas and suggestions and a list of mail-order houses dealing in stained glass supplies.
If your stained glass work has suffered for want of new conceptions and designs, Birds and Butterflies is an inexpensive treasury of creative inspiration. If you haven't worked stained glass before, this book is your easy-to-follow guide to a delightful craft adventure.

  • Sales Rank: #318972 in Books
  • Published on: 1984-02-01
  • Released on: 1984-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.96" h x .27" w x 8.25" l, .57 pounds
  • Binding: Paperback
  • 64 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Nice bird designs.
By MarleneLouise
Nice book of patterns which can be useful for many artists and craftsmen. Birds are a nice subject for arts and crafts work. These patterns can be enlarged or reduced for your purpose. Gives one many ideas for making your own designs. Will be useful for years and is a great addition to my art library.

1 of 1 people found the following review helpful.
Five Stars
By Pamela A Lamb
nice book lots of small details

5 of 6 people found the following review helpful.
My first stained glass pattern book
By Marcela G-T
Is a very good book! You could find right-angle and round patterns. The only thing I miss was the pictures with colours, but in general is good to start. There are basic and more complex patterns, for differents degree of difficulty.

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Wednesday, April 11, 2012

[N694.Ebook] Free PDF InfoSec Career Hacking: Sell Your Skillz, Not Your Soul

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InfoSec Career Hacking: Sell Your Skillz, Not Your Soul

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  • Published on: 1709
  • Binding: Paperback

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Tuesday, April 10, 2012

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After Virtue: A Study in Moral Theory, Third Edition, by Alasdair MacIntyre

When After Virtue first appeared in 1981, it was recognized as a significant and potentially controversial critique of contemporary moral philosophy. Newsweek called it “a stunning new study of ethics by one of the foremost moral philosophers in the English-speaking world.” Since that time, the book has been translated into more than fifteen foreign languages and has sold over one hundred thousand copies. Now, twenty-five years later, the University of Notre Dame Press is pleased to release the third edition of After Virtue, which includes a new prologue “After Virtue after a Quarter of a Century.”�In this classic work, Alasdair MacIntyre examines the historical and conceptual roots of the idea of virtue, diagnoses the reasons for its absence in personal and public life, and offers a tentative proposal for its recovery. While the individual chapters are wide-ranging, once pieced together they comprise a penetrating and focused argument about the price of modernity. In the Third Edition prologue, MacIntyre revisits the central theses of the book and concludes that although he has learned a great deal and has supplemented and refined his theses and arguments in other works, he has “as yet found no reason for abandoning the major contentions” of this book. While he recognizes that his conception of human beings as virtuous or vicious needed not only a metaphysical but also a biological grounding, ultimately he remains “committed to the thesis that it is only from the standpoint of a very different tradition, one whose beliefs and presuppositions were articulated in their classical form by Aristotle, that we can understand both the genesis and the predicament of moral modernity.”

  • Sales Rank: #18211 in Books
  • Published on: 2007-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .99 pounds
  • Binding: Paperback
  • 312 pages

Review
“After Virtue is a striking work. It is clearly written and readable. The nonprofessional will find MacIntyre perspicuous and lively. He stands within the best modern traditions of writing on such matters.” —New York Review of Books

“MacIntyre’s arguments deserve to be taken seriously by anybody who thinks that the mere acceptance of pluralism is not the same thing as democracy, who worries about politicians wishing to give opinions about everything under the sun, and who stops to think of how important Aristotelian ethics have been for centuries.” —The Economist

“After Virtue is a rigorous, ambitious, and original book. It is a reinterpretation of the entire history of Western moral philosophy, as decline, fall, and—possibly—rebirth.” —The Village Voice

About the Author
Alasdair MacIntyre is research professor of philosophy at the University of Notre Dame. He is the author of numerous books, including Whose Justice? Which Rationality? (Notre Dame Press, 1988) and Three Rival Versions of Moral Enquiry: Encyclopaedia, Genealogy, and Tradition (Notre Dame Press, 1990).

Most helpful customer reviews

283 of 286 people found the following review helpful.
Nietzsche or Aristotle? the question is the same 20 years later.
By Peter R
I am rather flabbergasted that the only review on this page thus far is one comparing Alisdair MacIntyre to radical islamists. That is rather disconcerting as the author's roots, as others have already noted, come from the 1960-70's British Labour movement and from a very deep, very thought-out Marxism in the context Marxism demands to be judged on, namely, not only as a socio-economic theory, but as a robust and encompassing worldview. When MacIntyre finally decided to officially leave the Communist party, he noticed that his moral critique of Marxism seemed to lack any force, as the only two seemingly possible moral outlooks were that of a rather brass individualism ( an odd modern mixture of Kantian and Sartrean thought where each person chooses the moral law for himself ) and the tradition he was leaving, i.e. Marxism, which seemed incapable of serious self-critique. (SeeThe Macintyre Reader). The shrillness of his own protest sent him on a philosophical journey which he continues to go on to this day but we are lucky enough to have collection of his thoughts along the way. After Virtue was a tour de force when it hit the shelves roughly 20 years ago. It laid bare the utter incoherence of the use of moral language in societies of "advanced modernity", i.e., modern Europe, the former USSR, and the US. His critique of the various descendents of the Enlightenment, from utilitarians and Nietzscheans, blasted moral philosophy out of its slumber into a field that continues to grow to this day. Even today, most moral philosophers have spent most of their time attacking Macintyre's positive theses rather than critiquing his critique (a definite sign of the respect at his assessment of the use of modern moral language). To summarize it here would definitely deprive the would-be reader of the insightful journey that MacIntyre brings the reader on as he tries to look at the state of modern society. However, I will summarize the major motivations on why this book was written and why someone would read it:

1) Why are there so many types of moral disagreements in modern societies?

2) Why do these disagreements never seem to end but go on indefinitely?

3) Can any moral theory be related to actual facts or is all moral language sui generis?

Not surprisingly, MacIntyre traces most of these problems to those thinkers of the Enlightenment yet it would be a MISTAKE (as the first reviewer makes) in thinking that MacIntyre is somehow laying the blame solely on the Enlightenment for the current situation. Rather, his whole thesis is that they did the best they could in defending in what they thought was the CONTENT of morality (the culture of post-Enlightenment Europe being as it were a mix of
Christian values with an intense admiration of newly re-discovered Greco-Roman pagan texts on a range of subjects) with their own philosophical methods (See Hume's reasoning on why women should remain chaste until marriage). MacIntyre's insight is that they HAD to fail. No philosophical brilliance they could muster could save the CONTENT they wished to save (for example,"always tell your mother the truth") with their prescribed METHODS of doing philosophy (for example a la Kant, "all moral laws have the character of being assented to by all rational persons at all times in all cultures"). The Enlightenment thinkers chose an impossible task and thus failed (and moreover had to fail in such a way that their failure was relatively hidden from the thinkers themselves and their respective cultures at large). It is only with Nietzche do we have a thinker brave enough to raze the CONTENT they wished to save with the METHODS and start totally anew.

Thus, half-way through the book, MacIntyre offers the reader a stark choice: either we must choose that all moral talk (talk of right & wrong) is really an attempt to impose one's will on another person a la Nietzsche or that there is form of moral language that is not undercut by Nietzsche's own rather devastating attack on (post-)Enlightenment moral theories.

Hence begins MacIntyre's foray from critique to laying out a positive philosophical programme that leads to several books (See Whose Justice? Which Rationality? & Dependent Rational Animals: Why Human Beings Need the Virtues (Paul Carus Lectures) especially) and a refining of his ideas.

Does Nietzsche win?

That is for the reader to decide. MacIntyre has been steadily producing a body of work that tries to show that Nietzsche does not win (it starts as a whisper in this book and finally gets turned into a shout in later works). However, like all philosophy, his attempt is an argument, and it is up to the reader to decide if it is a good one.

5 stars, hands down. I really hope you decide to buy(or check-out) this important work which deserves to taken seriously for years to come. ( 20 and counting!)

67 of 68 people found the following review helpful.
Aristotle de- and re-constructed
By Jacob
MacIntyre's book is a sustained critique of "the modern project." The modern project came about in the 17th and 18th centuries. Thinkers tried to rework ethics and philosophy but in a new way: abandoning the Aristotelian and judeo-Christian ethic, they ended with a schizophrenic autonomy. Man is now seen as an autonomous agent who should further his autonomy but must live in the contradiction with other autonomous agents who also want to protect their autonomy. The modern project is a violent one at its core.

The strength of MacIntyre's work is his sustained critique of modernity and the "natural rights" tradition. He reintroduces the concept of "narrative" as an ethical tool. I will highlight the main ideas:

The Ghost of "Human Rights"
Rights have a highly specific character and are resistant to the idea of universality. The language of rights talk differs from century to century and place to place, at each moment reflecting more the demands of th community rather than the story of humanity. And when rights are attempted to be universal in scope, they reflect, not the needs of humanity, but the agenda of the powered elite. Rights talk can be rehabilitated, but only in terms of local community's narrative.

Deconstructing Aristotle
Contrary to his critics, MacIntyre is not arguing for a naive return to Aristotle. Rather, he points out the resilience of the Aristotelian tradition and then critiques its shortcomings. He uses Aristotle as a foil against Nietzsche. The importance of virtue at this point is not simply to demonstrate that Aristotle is the last word in ethics, but to show that it is impossible for consistent moderns to be virtuous. A virtue can only be understood in light of its telos (184). "The" good orders "our" goods. Modernity, accordingly, lacks such a telos--or rather has competing teloi.

Narratival Ethics
Man is a story-telling animal. We enter life with other characters and we have to learn what they are in order to understand how others respond to us (216). In ethics we learn the role we are to play. My narrative is inter-locking with the narratives of other members of the community. The telos, then, gives unity to this diversity of narratives. The telos allows me to see the whole of the narrative and the narrative gives clarity to the attempted moral vision (219).

MacIntyre's Answer
What is the good life? The good life is one spent seeking for the good life. The virtues necessary for the good life enables me to understand what the good life is (219). Life is a journey and virtue is the map.

Conclusion
MacIntyre's work is dense and often hard to read. Most of the discussions of analytic philosophy were lost on me. While I thoroughly enjoyed his critique of natural rights, I think he spent too much time on it and then conclusion could have been clearer. The section on narratival ethics was outstanding. Contrary to the blurb on the back, his afterword really doesn't deal with the integration of Aristotle and biblical theology.

This work deserves its pride of place as one of the most important philosophical works of the 20th century.

45 of 47 people found the following review helpful.
Not easy but rewarding
By Ovidius
After Virtue is a landmark. Although some parts can be rather dry, MacIntyre is always carefully building towards his persuasive and often devastating conclusions (for example, that belief in human rights "is one with belief in witches and in unicorns" (69)). Although by no means an easy read, he writes in a personable, sometimes even conversational, way. He also often has a funny grumpy-old-man tone, grumpy about social scientists, managers, therapists and liberals.

He writes with seeming mastery of the western tradition. However, he rarely makes citations. For example, in his discussions of Kant he usually does not even mention a text by name, let alone provide citations. When discussing other writers he will sometimes mention a particular book but then supply no or very few citations. Rather, he tends to discuss thinkers in general: the problems they were trying to address, how they failed and how they are historically situated.

In outline, his argument is that in the period between 1630 and 1850, morality came to signify a distinct cultural space of rules of conduct which are neither theological nor legal nor aesthetic. Once that understanding of morality became a received doctrine, Northern European Enlightenment thinkers attempted to provide a rational justification for morality (39). However, by freeing morality from teleology (whether Aristotelian or Christian), theism and hierarchy, they in effect undermined any rational foundation or criterion for morality. Once thinkers such as Kierkegaard and Nietzsche showed that Enlightenment thinkers had themselves failed to provide a rational justification for morality, the result was our modern world of existentialism, emotivism (or moral relativism), unmoored moral fragments and competing moral islands with incommensurable criteria. MacIntyre argues, however, that morality does have a rational ground when it is based on teleology because one can then rationally say whether or not something is good or bad in relation to achieving that shared good. Thus, Nietzsche's critique of Enlightenment rationality does not extend to the Aristotelian tradition since the Enlightenment had freed itself of Aristotelianism (and for MacIntyre the Enlightenment was therefore "a peculiar kind of darkness" in which we still live (92)).

Roughly speaking, the book has three major parts: the first lays out the problem; the second--which for me is the most rich--lays out a history of ideas of virtue; the third develops MacIntyre's restatement of the virtue ethics stemming from Aristotle.

He speaks with an authoritative and persuasive voice, so the reader must supply his or her own sense of caution (though MacIntyre does often use the expression "if my argument is correct"). Sometimes he doesn't supply much argumentation, just what he sees to be most decisive; other times he takes pages to lay out an argument without it being too clear where he is going until he gets there.

When someone puts this much thought into an issue of this magnitude, it is worth more than its weight in gold. More than a commentary, it is an original work of philosophy both in terms of moral philosophy and the history of ideas.

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  • Sales Rank: #321882 in eBooks
  • Published on: 2015-03-23
  • Released on: 2015-04-20
  • Format: Kindle eBook

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